CultureAuthor Kelly McWilliams is making waves with her forthcoming young adult horror novel, *No One Leaves the Manor*, and her adult debut, *American Nightmare*. Both works delve into the complex intersections of horror and history, with a particular focus on the nuanced experiences within African American culture.
*No One Leaves the Manor*, a young adult horror novel, is set to hit shelves on July 14, 2026. The story transports readers to 1920s New England, where debutantes, demons, and a sentient house intertwine. Its protagonist, Dorothea, is a white-presenting character who leverages her appearance to operate as a thief and spy, gaining entry into spaces otherwise inaccessible to her. McWilliams stated her intention to provide representation for the white-passing and white-presenting experience within African American culture, describing it as a "fascinating history." The narrative also thoughtfully incorporates a biracial brother, a Jewish diner functioning as a Green Book spot, a character with dyslexia, and a polio survivor, reflecting the diverse alliances and experiences of the era. A "secret theme" of the book, McWilliams noted, is climate change, addressing the pervasive nature of power systems. She commented, "This house is a sentient house, and believe me when I say that no one leaves this manor. We are all sort of implicated in these systems of power, so there's a little bit of a twist." The book's tagline, "Debutantes, Demons, Dinner at eight," hints at its gothic atmosphere, and McWilliams expressed her hope that readers will "really sees themselves in this book."

Her adult debut, the historical thriller *American Nightmare*, is scheduled for publication on September 15, 2026. This novel draws inspiration from the life of Walter White, a significant civil rights figure who was a light-skinned Black man with blonde hair and blue eyes. During the Jim Crow era, White famously passed as white to infiltrate and investigate lynchings, murders, hate crimes, and what were then termed "riots" but are now recognized as race massacres, including the Tulsa Race Massacre. McWilliams's novel introduces Clark Wendell White, a character who first encounters a malevolent "Nightmare" during the 1906 Atlanta Race Riot. Years later, Clark is compelled to join the NAACP's New York City headquarters, undertaking dangerous undercover work to investigate lynchings while impersonating the very evil he seeks to expose. The narrative also features the rise of a new chapter of the Ku Klux Klan in New York City and includes a character, Sam Cahill, who can perceive Clark's disguise.
McWilliams's literary journey began early, with her first novel, *Doormat*, published in 2004 when she was just fifteen. The mixed-race writer is the daughter of acclaimed author Jewell Parker Rhodes, and she credits her mother's career as a profound early influence. McWilliams often notes that she grew up knowing Black women were writers, a stark contrast to her mother's experience of not realizing this until junior college. A graduate of the Walnut Hill School for the Arts and Brown University, McWilliams has contributed to various publications, including TIME, Romper, Bustle, and Publishers Weekly. She currently resides in Seattle with her family, and her body of work consistently explores the intertwining themes of horror, history, and girlhood.
Her exploration of the white-presenting experience extends beyond fiction. In November 2021, McWilliams penned an essay for TIME titled "The Day I Passed for White." In this piece, she openly discussed her own experiences as a light-skinned Black woman and acknowledged the "privilege of my racial ambiguity." She reflected on instances of unintentional passing and her conscious efforts to "practice anti-passing" by revealing her racial identity when confronted with covert racism. The essay delves into the "intergenerational trauma" and "devastating loss" associated with passing, particularly the severance from one's Black community and heritage. This personal insight clearly informs the depth and authenticity of characters like Dorothea in *No One Leaves the Manor* and Clark Wendell White in *American Nightmare*.

McWilliams consistently weaves horror and history together, aiming to provide readers with a deeper understanding of societal issues. She explained, "I write horror that's combined with a little bit of humor, and combined with a little bit of a life lesson." She draws inspiration from compelling horror works like Jordan Peele's *Get Out*, appreciating how effective the genre can be when it taps into universal experiences of needing to escape difficult situations. She also highlighted that the gothic horror and fantasy elements in her work are deeply rooted in Black culture, stemming from a "baseline belief in ghosts that came as a result of our vexed place in history" due to the casual loss and suffering endured by many individuals. For McWilliams, a thorough understanding of national history, including its "whitewashed and buried" aspects, is crucial for comprehending contemporary violence and pain. On Walter White, she stated that when she was young and questioned her place, she was pointed to individuals like him who "did important work, who fought for us, and who had a role and a place" within the culture, noting this theme is central to her career.
Before her latest releases, McWilliams authored other novels exploring similar intricate themes. Her 2022 young adult novel, *Mirror Girls*, is a gothic horror narrative about biracial twin sisters separated at birth, one raised white-passing, who reunite in a haunted Jim Crow-era Georgia town. This book delves into sisterhood, racial division, and features a curse where a character's reflection disappears upon learning the truth of her heritage. Her 2023 novel, *Your Plantation Prom Is Not Okay*, features Harriet Douglass, a protagonist who lives and works at a former plantation transformed into an enslaved people's museum, and becomes determined to prevent a celebrity plantation wedding.
Kelly McWilliams's work stands as a testament to the power of storytelling to illuminate challenging historical truths through the captivating lens of horror. By giving voice to often-overlooked experiences and historical figures, she invites readers to confront the past and understand its lasting impact on the present. Her upcoming novels promise to continue this vital conversation, solidifying her place as a significant voice in contemporary literature that challenges and enlightens.